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EXHIBITIONS BY YEAR

Print Gift of Victor S. Riesenfeld and Matisse: Jazz: Gift of the Artist

1–31 October 1948

View on MoMA


MoMA Staff

Assembler
William S. Lieberman  American, 1923–2005

Artists

Joan Miró
Spanish, 1893–1983
137 exhibitions
Salvador Dalí
Spanish, 1904–1989
59 exhibitions
Pierre Bonnard
French, 1867–1947
68 exhibitions
Marc Chagall
French, born Belarus. 1887–1985
96 exhibitions
Massimo Campigli
Italian, 1895–1971
8 exhibitions
Georges Braque
French, 1882–1963
104 exhibitions
Henri Georges Adam
French, 1904–1967
4 exhibitions
Henri Matisse
French, 1869–1954
182 exhibitions
Wols (A. O. Wolfgang Schulze)
German, 1913–1951
9 exhibitions
Jacques Villon
French, 1875–1963
42 exhibitions
Félix Vallotton
French, 1865–1925
22 exhibitions
Paul Signac
French, 1863–1935
22 exhibitions
Georges Rouault
French, 1871–1958
88 exhibitions
Pierre-Auguste Renoir
French, 1841–1919
40 exhibitions
Mario Prassinos
French, 1916–1985
4 exhibitions
Édouard Pignon
French, 1905–1993
3 exhibitions
Pablo Picasso
Spanish, 1881–1973
231 exhibitions
Louis Marcoussis
Polish, 1883–1941
22 exhibitions
Jean Lurçat
French, 1892–1966
7 exhibitions
Fernand Léger
French, 1881–1955
110 exhibitions
Paul Klee
German, born Switzerland. 1879–1940
132 exhibitions
Erich Heckel
German, 1883–1970
36 exhibitions
Alberto Giacometti
Swiss, 1901–1966
72 exhibitions
André Fougeron
French, 1913–1998
3 exhibitions
Raoul Dufy
French, 1877–1953
45 exhibitions
Otto Dix
German, 1891–1969
70 exhibitions
Françoise Desnoyer
French
1 exhibition
André Derain
French, 1880–1954
84 exhibitions
Maurice Denis
French, 1870–1943
22 exhibitions
Max Beckmann
German, 1884–1950
72 exhibitions
Ernst Barlach
German, 1870–1938
36 exhibitions

New York Times Review of the exhibition

PUBLISHED

10 October 1948

FRENCH MODERNS; Two Exhibitions Present Paintings and Prints

By Sam HUNTER

ANY fairly representative and well-selected exhibition of recent European art, and the current Museum of Modern Art print show is a worthy case in point, brings home in a striking manner the very special nature of contemporary feeling as well as certain enduring constants that relate this expression traditionally.

New York Times • page X9 • 593 words