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EXHIBITIONS BY YEAR

New Acquisitions and Extended Loans: Cubist and Abstract Art

25 March to 3 May 1942

View on MoMA


Artists

Arthur Dove
American, 1880–1946
33 exhibitions
Diego Rivera
Mexican, 1886–1957
47 exhibitions
Arshile Gorky
American, born Armenia. 1904–1948
42 exhibitions
Arthur B. Carles
American, 1882–1952
6 exhibitions
Stuart Davis
American, 1892–1964
59 exhibitions
Kurt Schwitters
German, 1887–1948
56 exhibitions
Le Corbusier (Charles-Édouard Jeanneret)
French, born Switzerland. 1887–1965
45 exhibitions
Georges Braque
French, 1882–1963
104 exhibitions
Umberto Boccioni
Italian, 1882–1916
42 exhibitions
Thomas Wilfred
American, born Denmark. 1889–1968
7 exhibitions
Jacques Villon
French, 1875–1963
42 exhibitions
Léopold Survage
French, 1879–1968
8 exhibitions
Charles Smith
American, 1893–1987
5 exhibitions
Aleksandr Rodchenko
Russian, 1891–1956
24 exhibitions
Pablo Picasso
Spanish, 1881–1973
231 exhibitions
Antoine Pevsner
French, 1886–1962
23 exhibitions
Amédée Ozenfant
French, 1886–1966
15 exhibitions
Isamu Noguchi
American, 1904–1988
39 exhibitions
Piet Mondrian
Dutch, 1872–1944
76 exhibitions
Jean Metzinger
French, 1883–1956
9 exhibitions
Kazimir Malevich
Russian, born Ukraine. 1878–1935
34 exhibitions
Sophie Lissitsky
1 exhibition
Wyndham Lewis
British, 1882–1957
12 exhibitions
Fernand Léger
French, 1881–1955
110 exhibitions
Mikhail Larionov
Russian, 1881–1964
20 exhibitions
Juan Gris
Spanish, 1887–1927
77 exhibitions
Natalia Goncharova
Russian, 1881–1962
20 exhibitions
Albert Gleizes
French, 1881–1953
16 exhibitions
John Ferren
American, 1905–1970
13 exhibitions

New York Times Review of the exhibition

PUBLISHED

29 March 1942

ABSTRACTION LAYS SIEGE TO US ANEW; Exhibition at the Museum of Modern Art Focuses Attention on Divers Aspects -- Supplementary Shows -- Other Events

By Edward Alden JEWELL

ABSTRACTION has been sneaking up on us of late; coming to represent a more and more major phase of our exhibition schedule. Those especially interested in this type of expression (a general type that in itself compasses a very considerable gamut) can put in a lot of time to advantage visiting various abstract shows about town.

New York Times • page X5 • 1,833 words